The DAD team will talk about “WOR(L)D EMBEDDING – Curating/Computing/Displaying Semantic Pathways through Belvedere’s Online Collection” at the annual conference of the Belvedere Research Center. This conference is concerned with the digital transformation of art museums. The dates are from 11th to 15th of January 2021 and the format is an online meeting. You can find out about the program and how to register for free at the respective website.
DAD’s Arthur Flexer presented our work on discovering semantic pathways through Belvedere’s fine arts collection at the “Machine Learning for Media Discovery Workshop” (18th of July 2020) of the “International Conference on Machine Learning”. The conference was supposed to happen in Vienna, Austria, but due to COVID-19 went fully virtual. You can see Arthur present his poster in a dedicated Zoom room below.
While a virtual workshop is not able to replace the experience and liveliness of a physical scientific meeting, it still allowed us to get an increasing degree of public exposure for our work in progress, which is the purpose of our Liminal Spaces.
Citation: Flexer A.: Discovering X Degrees of Keyword Separation in a Fine Arts Collection, in Proceedings of the 37th International Conference on Machine Learning, Machine Learning for Media Discovery Workshop, Vienna, Austria, PMLR 108, 2020.
During the research visit of Bob Sturm we will discuss the frontiers of artificial creativity and its criticism in the context of DUST AND DATA. Bob Sturm will also give a public lecture about his work on using machine learning to compose Irish folk music. His talk will also feature live accordion playing.
“Folk the Algorithms” – Bob Sturm, KTH Royal Institute of Technology, Stockholm, Sweden
In this talk/musical performance, I will recount how a bit of Saturday morning humor turned into an ERC Consolidator Grant four years later. It’s a story of an engineer with an artistic bent meeting a machine learning algorithm through a blog. One part of the story involves the naive misappropriation of music data without consideration of its provenance and significance. Another part involves the serious contemplation of such transgressions, and then endeavors taken to redress them. A variety of interesting perspectives and questions have arisen out of this story, which will be subject to study in the project, Music at the Frontiers of Artificial Creativity and Criticism (MUSAiC, ERC-2019-COG No. 864189).
Time: Wednesday, 26th of February 2020, 6:30 p.m. sharp
Location: Oesterreichisches Forschungsinstitut fuer Artificial Intelligence, OFAI
Freyung 6, Stiege 6, Tuer 7, 1010 Wien